The 2010 Grammy Awards Red Carpet
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'I f--- with Wayne, man; I had the opportunity to give him more music,' Bangladesh says.
By Rob Markman
Lil Wayne is still riding high with his Tha Carter IV jump-off single "6 Foot, 7 Foot," but the track's producer Bangladesh — not so much.
Bang, who was also the maestro behind Wayne's 2008 hit "A Milli" cried foul after he wasn't properly paid for that Tha Carter III banger. And though the producer went in to craft "6 Foot, 7 Foot," he is now claiming that he hasn't been properly been compensated for that track either.
"I f--- with Wayne, man; I had the opportunity to give him more music," Bangladesh told MTV News this week. "It's just hard to do. It's just hard to keep working for free."
In regards to "6 Foot, 7 Foot," Bangladesh claims to have waived the upfront fee that he usually charges artists, just so he could have the opportunity to work with Tunechi again. "It's not about the money, it's not about me charging him for the beat, because he is Lil Wayne; he's gonna sell albums," the producer said. "You only really charge people that you think is not gonna really sell too much, so you want to get your money off top. You might not get it on the back-end because albums don't sell no more."
Instead of charging Cash Money for the track, Bangladesh said he struck a deal in which Wayne would do a feature on the beatsmith's long-talked-about debut album. When asked why he hasn't put out the album yet, Bangladesh answered, "It's hard to do when I can't get Wayne features."
The producer isn't sure whether the holdup on those features is Wayne himself or the label. "I don't know if it's the people around the situation or it's the actual person," he said. Cash Money had no comment on Bangladesh's complaint.
What he does know is that he can't continue to work with Cash Money until things get resolved. "Every time we come up with a solution, it never gets taken care of," Bangladesh said. "I just can't keep really giving them music."
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... in Brooklyn!
Bev has decided to wear an asymmetrical fascinator to celebrate Kate and Wills' big day, while Mary opted for a hat with a little tropical flavor.
Cheerio!
(By the way, this wasn't an easy photo to get:)
Source: http://www.prettyinthecity.com/blog/2011/4/29/its-a-royal-affair.html
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Reworked tune features an opening verse by Minaj as Ke$ha sings atop Spears' vocals throughout the song.
By James Dinh
Britney Spears' "Til The World Ends"
Photo: Jive
Britney Spears isn't the only pop titan dancing until the world ends: Nicki Minaj and Ke$ha have joined forces to add a new spin on an all-female remix of Femme Fatale's second single, "Till the World Ends."
The reworked dance anthem, which leaked online Friday (April 22), appears to have surfaced earlier than expected as noted by a series of countdowns on all three of the stars' websites.
Mixing the dance tune's original sonic swirls with heavier bass, Britney tourmate Minaj starts off the remix by throwing down an aggressive verse, in which she calls out a female hater: "A-A-A-A-A-AYE!/ Chimpanzees is hatin', but I take it all in stride/ Put her in a jungle with bananas on the side/ Told you they'd revive your career, but somebody lied/ I ain't talkin' poultry when I say this chicken's fried."
After Minaj spits a few introductory bars, Spears delivers the song's first verse before an introduction for the all-star trio. "It's Britney, bitch. I'm Nicki Minaj and that's Ke$ha!" the Young Money MC proclaims.
Ke$ha, who originally wrote the track for the pop princess, takes part in singing the club-ready track's chorus. Spears soon takes back control of the song as Ke$ha shadows the singer's lines toward the end of the second verse and bridge. Unlike the original version, the "Till the World Ends" remix also features a stuttering dubstep dance break.
News of a star-studded collaboration was hinted earlier this week when producer Dr. Luke tweeted, "@NICKIMINAJ killed it tonight!!!! thanks!!!"
Have you heard the all-star "Till The World Ends" remix? Share your reviews in the comments!
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Jared Leto and company are headlining the New Jersey fest Friday night and sharing the weekend with the likes of Lil Wayne and Mötley Crüe.
By James Montgomery
30 Seconds to Mars' Jared Leto
Photo: Sohyung Kang/ MTV News
You'd think, given the worldwide tour in support of their This Is War album, that 30 Seconds to Mars would have logged at least a half-dozen New York City-area shows by this point. But you'd be wrong: To date, they've played exactly one NYC concert (an April 21, 2010, gig at Roseland Ballroom), which is just part of the reason they're looking forward to Friday night's (April 29) headlining slot at the Bamboozle Festival in nearby East Rutherford, New Jersey.
"Bamboozle is going to be insanity. I mean, insanity," frontman Jared Leto told MTV News during Thursday night's "30 Seconds to Mars: State of the Union" live stream. "We've only played one New York City-area show in this record cycle, so I think it's going to be madness."
30STM will share the weekend with an assortment of artists, including Lil Wayne, Bruno Mars, Wiz Khalifa, Mötley Crüe, Taking Back Sunday and the Gaslight Anthem, to name just a half-dozen. And, to hear 30 Seconds to Mars tell it, that's half the fun. Sure, they've been playing to sold-out arenas of their own fans for more than a year now, but nothing compares to the thrill — and the challenge — of trying to win over an audience of other people's fans.
"Nothing can really beat your own show, but festivals are really great too," guitarist Tomo Milicevic said. "At festivals, you play in front of other fans too."
The 2011 Bamboozle Festival takes over the New Meadowlands Stadium parking lot in East Rutherford, New Jersey, all weekend. MTV News will be on hand to bring you all the madness!
Which act would you most like to see at Bamboozle? Let us know in the comments!
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'Parks and Recreation' star has tips for 'Saturday Night Live' castmember.
By Jocelyn Vena
Aziz Ansari onstage during the 2010 MTV Movie Awards
Photo: Jeff Kravitz/ FilmMagic
It's official, boys and girls, "Saturday Night Live" star Jason Sudeikis is set to host the MTV Movie Awards when the show goes live June 5 from Gibson Amphitheatre in Universal City, California. Who will win Golden Popcorn statues? What kind of zany antics will go down? Nobody really knows, but one guy who understands what it's like to host the show is 2010 emcee and "Parks and Recreation" star Aziz Ansari.
So, what words of wisdom does Mr. Ansari have for Sudeikis nearly 12 months after his stint? "It's so much work, so definitely have a lot of uppers on hand, like just drugs that'll get you fired up," he joked to MTV News. "PCP is good to stay up all night, get all the work done. It's a cool thing though; it's back in vogue. It's like Twitter, PCP. It's like trendy things: Twitter, PCP, Jonas Brothers."
While we're not sure he'll take Ansari's advice, Sudeikis has made it clear he hopes to do a bang-up job. "I'm sincerely flattered that the folks from the Mostly Teenage Viewers network have invited me to host this year, and I look forward to keeping the streak of flawless and critically lauded Movie Awards show hosting in 2011 alive," Sudeikis joked.
The MTV Movie Awards nominees — based on your votes at MovieAwards.MTV.com — will be announced Tuesday, at which point you'll be able to vote for your favorite films and stars in categories like Best Fight, Best Kiss, Biggest Badass Star, Best Villain and, of course, Best Movie. Voting will continue through June 4, though Best Movie will remain open throughout the live ceremony June 5 — meaning you'll have a chance to affect the night's biggest prize until the very last minute.
Source: http://www.mtv.com/news/articles/1662893/aziz-ansari-jason-sudeikis-mtv-movie-awards-host.jhtml
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'I was in junior college because it was my only option,' actor tells MTV News.
By Eric Ditzian
Tom Hanks with Julia Roberts in "Larry Crowne"
Photo: Universal Pictures
The first time Tom Hanks stepped behind the camera on a big-screen production, he captured a story set in the early 1960s, a period he had lived through as a preteen. But the particulars of "That Thing You Do!" — a rock band that rides a hit song to fame but can't follow through on their initial promise — couldn't have been further from Hanks' California childhood.
His second directorial effort, however, was inspired by events from his past, even if it does not seem so at first glance. In "Larry Crowne" — the upcoming comedy he also co-wrote and in which he stars with Julia Roberts — Hanks plays the title character, a guy fired from his job at a big-box retail store and forced to go back to college, where he meets a professor named Mercy Tainot (played by Roberts). But as Hanks told MTV News as part of our Summer Movie Preview week, he actually relates to his character's plight.
"My first years in college were much like Larry's," he told us. "I was in junior college because it was my only option — if I didn't enroll right after high school I would have had no path to any future. Two years in junior college became the jumping-off point for everything that came later and I think this was the same for others — not just kids out of high school, but guys back from Vietnam, wives going back to school after their kids were older, and folks who were looking to change their lives for the better."
While the genesis of the film came from Hanks' early college years, he enlisted Nia Vardalos, whose "My Big Fat Greek Wedding" he'd produced in 2002, to collaborate on the script.
"Nia and I talk all the time and laugh constantly, and I wanted a woman's voice to be a part of the movie, since Mercy Tainot is in a comparable life situation as Larry," Hanks explained. "Nia worked exclusively on the screenplay, based on meetings she and I had, for a number of drafts. Then the script sat in a drawer for a couple of years. I then worked exclusively on the screenplay through the complete production. The story evolved through both of us, though, and what I was shooting for was built up with every draft."
Roberts and Hanks have worked together before, on the political drama "Charlie Wilson's War," but they hadn't shared the screen on lighter material. He does, though, see a connection between that earlier film and "Larry Crowne" in that "we were playing real people in real circumstances." Similarities aside, Hanks simply knew Roberts was the perfect person for the role.
"Julia is Mercy Tainot — funny, wicked intelligent, driven and not one to suffer fools at all," he said. "But make no mistake of Julia's ability to find what is funny in a scene smack up against what is authentic."
For all the comedic elements of the film, there is a dramatic arc for both characters. Larry, for instance, essentially has to reinvent himself in middle age. And if Hanks had to refashion his own life, he joked that he'd strike out in a rather unexpected direction: "I'd go for the Iggy Pop look and gravitas."
Check out everything we've got on "Larry Crowne."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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Sara Evans’ Ex Claims Their Kids Are Surrounded With Drug Use
Country star Sara Evans’ ex-husband, Craig Schelske, has filed for joint custody of their children, claiming the singer surrounds the kids with drugs and alcohol [...]
Sara Evans’ Ex Claims Their Kids Are Surrounded With Drug Use Stupid Celebrities Gossip
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Source: http://perezhilton.com/2011-04-29-mike-tyson-tattoo-artist-sues-wb
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'I was in junior college because it was my only option,' actor tells MTV News.
By Eric Ditzian
Tom Hanks with Julia Roberts in "Larry Crowne"
Photo: Universal Pictures
The first time Tom Hanks stepped behind the camera on a big-screen production, he captured a story set in the early 1960s, a period he had lived through as a preteen. But the particulars of "That Thing You Do!" — a rock band that rides a hit song to fame but can't follow through on their initial promise — couldn't have been further from Hanks' California childhood.
His second directorial effort, however, was inspired by events from his past, even if it does not seem so at first glance. In "Larry Crowne" — the upcoming comedy he also co-wrote and in which he stars with Julia Roberts — Hanks plays the title character, a guy fired from his job at a big-box retail store and forced to go back to college, where he meets a professor named Mercy Tainot (played by Roberts). But as Hanks told MTV News as part of our Summer Movie Preview week, he actually relates to his character's plight.
"My first years in college were much like Larry's," he told us. "I was in junior college because it was my only option — if I didn't enroll right after high school I would have had no path to any future. Two years in junior college became the jumping-off point for everything that came later and I think this was the same for others — not just kids out of high school, but guys back from Vietnam, wives going back to school after their kids were older, and folks who were looking to change their lives for the better."
While the genesis of the film came from Hanks' early college years, he enlisted Nia Vardalos, whose "My Big Fat Greek Wedding" he'd produced in 2002, to collaborate on the script.
"Nia and I talk all the time and laugh constantly, and I wanted a woman's voice to be a part of the movie, since Mercy Tainot is in a comparable life situation as Larry," Hanks explained. "Nia worked exclusively on the screenplay, based on meetings she and I had, for a number of drafts. Then the script sat in a drawer for a couple of years. I then worked exclusively on the screenplay through the complete production. The story evolved through both of us, though, and what I was shooting for was built up with every draft."
Roberts and Hanks have worked together before, on the political drama "Charlie Wilson's War," but they hadn't shared the screen on lighter material. He does, though, see a connection between that earlier film and "Larry Crowne" in that "we were playing real people in real circumstances." Similarities aside, Hanks simply knew Roberts was the perfect person for the role.
"Julia is Mercy Tainot — funny, wicked intelligent, driven and not one to suffer fools at all," he said. "But make no mistake of Julia's ability to find what is funny in a scene smack up against what is authentic."
For all the comedic elements of the film, there is a dramatic arc for both characters. Larry, for instance, essentially has to reinvent himself in middle age. And if Hanks had to refashion his own life, he joked that he'd strike out in a rather unexpected direction: "I'd go for the Iggy Pop look and gravitas."
Check out everything we've got on "Larry Crowne."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
Related PhotosSource: http://www.mtv.com/news/articles/1662967/tom-hanks-larry-crowne.jhtml
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Band broke the news about fan-favorite track during our 30STM 'State of the Union' live stream.
By James Montgomery
30 Seconds to Mars
Photo: Sohyung Kang/ MTV News
During our "State of the Union" live stream on Thursday night, 30 Seconds to Mars spoke at length about their past (Jared Leto's Kurt Cobain fascination), their present (Friday's headlining slot at the Bamboozle Festival) and, of course, their future.
And when it came time to discuss that last point, they took the opportunity to break a bit of news: They'd chosen "Night of the Hunter" as the next single off This Is War. And yes, they're very happy about it. Because, ever since they released their album in late 2009, they've been battling to get the song heard.
"We never thought this would happen, but we think it's going to be our next single in the States. There's always a song that fans latch onto, that the real music-lovers and the listeners [latch onto]," 30STM frontman Jared Leto told MTV News. "And this is the one, early on ... when we asked, 'What do you think should be a single?' [fans] always mention this, but people didn't quite think that this was the one at the time — some of the people at the record company or at radio stations — but they've warmed up to it, and now it's really fun to have a song that's eclectic and different to be a single."
In short, it's the kind of song a band has to earn the right to release. And 30STM have certainly done that. So now, their favorite track — Leto said it "encapsulates everything about 30 Seconds to Mars that we are interested in, musically" — is set to be released to radio ... with an appropriately epic video, of course.
"I would love to make a video for 'Night of the Hunter,' because I think it's one of the most cinematic songs on the record; when we play it live onstage, it always evokes imagery to me," Leto said. "The song really grew from ... my brother and I were born in Louisiana, we had a single mom ... who, at the time, was a high school dropout living in the South, [so we] really didn't have very much in terms of materialistic things. And although we moved out of the South when we were kids — you know, we joke we kind of climbed out of the muddy banks of the Mississippi River with food stamps in one hand and our instruments in the other — our mother helped carve a new life for us. And I think that song has some spirit of the South in it; some kind of American Gothic feel."
Are you glad to hear there will be a video for "Night of the Hunter"? Tell us in the comments!
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'It shows the intense live side of the band, as opposed to the perfection and the cleanness of how we sound on our albums,' guitarist says.
By Chris Harris
Dimmu Borgir's Silenoz
Photo: Nuclear Blast
On October 14, Dimmu Borgir — who just happen to be Demi Lovato's favorite black-metal band — will release a a three-disc DVD/CD set called "The Invaluable Darkness," the band's first visual offering since 2002's "World Misanthropy." Boasting live footage shot last year, during gigs in Norway, Germany and England, "The Invaluable Darkness" demonstrates the unbridled furor of seeing Dimmu live, guitarist Silenoz said.
"It shows the honest rawness and atmospheric darkness of our concerts," the Norwegian told Metal File last week, after dismissing recent online rumors that his band's next LP would be coming out through Roadrunner Records. "Basically, it shows the intense live side of the band, as opposed to the perfection and the cleanness of how we sound on our albums. It's just a different side to the band, basically."
Dimmu Borgir began thinking about "The Invaluable Darkness" two years ago, but didn't start capturing footage until last summer, Silenoz explained, adding that the band will use its current stint on the Blackest of the Black Tour — which got underway Thursday night in Miami Beach, Florida, and also features the tour's founder, Danzig, along with Moonspell, Winds of Plague and Skeletonwitch — to promote the DVD. Dimmu Borgir will not, however, use the tour to write material for their next LP.
"It's our first time on Blackest, but Glenn [Danzig] had wanted to bring us out before [on the tour], but we weren't available until now," Silenoz said. "We've done Ozzfest before, but we're looking forward to this tour more. We did the main stage on Ozzfest, playing in f--_ing broad daylight. This tour will let us play in bigger places, but at the same time showcase more of what the band's about, visually. We are going to concentrate on the tour for now. Some years ago, we tried putting [material] together on the road, but once we got home, we listened back to it, and were like, 'What the f--- is this?' So, we just scrapped it all. We find it's so much better to totally focus on one thing at a time, and then, when that's over, you move on to the next [thing]. We don't really feel like we need to rush things, anyway, so we'll just take our time, and it's going to be what it's going to be."
Dimmu Borgir hope to reconvene in late December to begin writing the follow-up to 2007's diabolically titled In Sorte Diaboli. "We have some ideas floating around already, but we haven't arranged any material yet," he said. "We'll start doing that once the touring for this DVD is over." The band's frontman, Shagrath, is also due to marry soon — he's engaged to actor Nicolas Cage's ex-girlfriend, Christina Fulton, so that may have an effect on when Dimmu finish their next album, which Silenoz said could be out this coming spring.
"I'm sure [Shagrath] won't let anything get in the way [of] the band — I think, I hope," the guitarist said. "We don't need a Yoko [Ono] situation."
While Dimmu have been at it going on 15 years now, Silenoz said he doesn't think their forthcoming material will be much of a departure from their previous black-metal offerings.
"And we have always been about more than just that term, 'black metal,' " he said. "Luckily for us, the older you get, the less concerned you get with the categorization and putting labels on your music. Things start getting more and more limitless with us, and we know that we operate within certain frames. But we try not to analyze things too much, because it's just going to be working against you in the end. When we write new stuff, we don't think about what we should write — we just get together, and put material together, and if we like it, we keep it. That's the formula, if we even have a formula."
Dimmu Borgir are definitely getting older — guitarist Galder will be missing Blackest because of a recent addition to his family, and Susperia's Cyrus will be filling in for him; while former Vader drummer Dariusz Brzozowski takes over for Hellhammer, who had to leave the band in 2007 after sustaining a neck injury that's now limited the use of his right arm. As Dimmu has gotten on in years, Silenoz admits they have failed to keep pace with some of the more extreme black-metal acts that have followed in their wake.
"We helped open doors for the more extreme bands out there," Silenoz said. "I'm sure we helped open doors for bands like Watain, [insomuch as] people that had maybe started listening to us first then went on to the more extreme stuff. Let's face it — we're not as extreme as Watain and other bands like that, but we're fine with that."
The Blackest of the Black Tour continues through November 10 in San Francisco.
The rest of the week's metal news:
Dimmu's tourmates on Blackest, Winds of Plague, have announced ex-Azusa drummer Art Cruz has joined their ranks — he replaced Jeff Tenney. According to the band's blog, "Art has already added a new spark to the band and has provided us with a solid backbone that will allow us to continue our rampage stronger than ever." ...
What the world really needs is another Led Zeppelin box set, so, on November 4, Rhino Records will issue the Led Zeppelin Definitive Collection Mini LP Replica CD box set. For just $200, you'll get 1969's Led Zeppelin, 1969's Led Zeppelin II, 1970's Led Zeppelin III, 1971's Led Zeppelin IV, 1973's Houses of the Holy, 1975's Physical Graffiti, 1976's Presence, 1976's The Song Remains the Same, 1979's In Through the Out Door and 1982's Coda, as mini-LP replicas, with artwork from the original U.K. LP sleeves. Now, you know what you can get your dad for Christmas. ...
Former Killswitch Engage frontman Jesse Leach and current Killswitch Engage guitarist Adam Dutkiewicz have teamed up for a new project they're calling Times of Grace, and they've already started working on material for their debut album. According to Leach, "We have two songs to go and we will be finished with all of the vocals. Adam has taken lead vocals in three songs as of yet and he is doing a great job. We also worked on a track yesterday that is so epic — we trade vocals and do two different melodies at the same time. This album went from a melodic metal album to an epic mix of metal/rock/pop/shoegaze and punk. So all of your metal expectations will be incorrect — we are pushing genre boundaries." To quote "Meet the Parents," we'll look forward to that, Greg. ...
The Funeral Pyre and Early Graves will be hitting the road together next month, starting November 7 in South Lake Tahoe, California. Dates are booked through November 21 in Hollywood. ...
The latest incarnation of Brujeria, which features Carcass frontman Jeff Walker and Napalm Death's Shane Embury, have lined up several U.S. dates for this winter. The band will begin its brief trek November 28 in Denver, and wrap things up in Dallas on December 7. ... Demiricous will be touring with the Gates of Slumber starting November 9 in Denver, for a jaunt that's scheduled to run through December 6 in Indianapolis. ...
Nearly three years after Roadrunner Records' Roadrunner United concert, which took over the Nokia Theater in New York's Times Square, the label is now releasing footage from that special night as "Roadrunner United: The Concert." The DVD, which hits stores December 9, will boast two discs and 24 live tracks, including Life of Agony's "River Runs Red," King Diamond's "Abigail," Killswitch's "My Last Serenade," Type O Negative's "Black No. 1" and Sepultura's "Refuse/Resist." ...
According to Blabbermouth, Verrot, bassist for Swedish black-metal outfit Elimi, committed suicide on October 3. In a statement, the band said, "Verrot was a very good friend, brother, an excellent bass player/musician and an important part of Elimi; we respect his decision and hope he'll find his way with the dark gods of Chaos. Let your black flame be a part of what brings forth the day of wrath."
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'I felt free to allow the influences of his films to rise to the surface,' director tells MTV News.
By Eric Ditzian, with reporting by Josh Horowitz
Joel Courtney, Elle Fanning and Ryan Lee in "Super 8"
Photo: Paramount
If it were up to J.J. Abrams, he'd be able to keep his mouth shut about "Super 8" — his upcoming, Steven Spielberg-produced summer blockbuster — until the movie slips into theaters June 10. That PR-free approach may have flown back when Abrams was making home movies to premiere, say, in his parents' basement, but that's just not how Hollywood works.
And so, as part of MTV News' Summer Movie Preview week, Abrams skipped away from a scoring set, where he's overseeing the orchestral music, to chat about the movie. We already know the film is set in Ohio in 1979 and follows six kids who are using a Super 8 camera to make a zombie flick. One night, they end up filming near a set of train tracks and capture a calamitous wreck and the creature that emerges from the wreckage. Soon the military pulls into town, and things start to get, well, very funky for these unsuspecting residents.
What we haven't learned much about is the nature of Abrams' collaboration with Spielberg, the way the director has managed to nod at Spielberg's films without copying them and much more. Thankfully, Abrams stepped in to provide us with some answers.
MTV News: Are we tearing you away from finishing your film? I hope not.
J.J. Abrams: We're about to lock picture, which I'm excited to do. I'm actually watching the musicians walk into the scoring stage right now with their cello cases and bass cases. It's an amazing score that Michael Giacchino has written. This part of the process is always the most exciting, because everything's coming together. The music is always one of the most exciting parts for me. I'm thrilled to be at this stage.
MTV News: Much of the discussion about this film has been about the blend of your talents and Spielberg's. Is there a nod to [frequent Spielberg collaborator] John Williams' scoring in this, or do you let Michael go at it without the specter of John Williams over him?
Abrams: I feel like on this movie, both he and I were as influenced by growing up and making movies as, let's face it, those loser kids who weren't the most popular, as we were influenced by the films of that era. What's cool about working on this film, especially with Michael, is that he and I shared the same kind of memories of childhood, even though we grew up 3,000 miles apart. When we met, we bonded over how we had the same kind of references and making movies as kids. I don't know how you would separate the various influences that Michael has experienced, including the remarkable scores of John Williams. What he's doing is very much his own voice, which is the only thing I'd want. I'd never ask him to do a score that apes a pre-existing score. But certainly the mood, the DNA of this movie, is as influenced by the films of the era as it was by the personal experiences we both had.
MTV News: What's cool about this is it seems like the kind of film we haven't seen for a long time. There's an earnestness and sweetness to it, in contrast to some of the cynicism we might see in summer movies. Would you agree?
Abrams: I haven't thought about it in terms of earnestness, but avoiding schmaltz is a massively important tenet to uphold. The goal for this is not to be earnest, but to be emotional. Sometimes the emotion is laughter and comedy and joy. Sometimes it's terror. Sometimes it's heartbreak or love-struck or petrified. One of the problems with something that is considered earnest is that it's somehow self-serious and lacking humor. That, to me, would be a disaster.
MTV News: How much have you used Mr. Spielberg as a resource throughout the process?
Abrams: He's a real producer of this movie. He worked with me to develop the story. We had countless story meetings prior to and following the script. What was wonderful about working with him is the ongoing conversation. Because I was working with him, I felt free to allow the influences of his films to rise to the surface. If I hadn't been collaborating with him, I would have been much more self-conscious. This is literally an Amblin movie. The ability to play with certain conventions of movies that he wrote, produced or directed was liberating. I didn't feel like I couldn't dare push in on a character's face, but that would feel like a shot you've seen. If it was the 100 percent right moment for that, I felt like, "Screw it, this is what it is." It began and was written and directed and is being finished not as an homage, but there are moments of homage in it. Steven will be here in 20 minutes at the scoring session. He came to the set a number of times. I showed him my first cut. I showed him last week what is minutes away from the final cut. He's been an incredible collaborator.
MTV News: Do you have a favorite film from the Amblin era in the late '70s and early '80s?
Abrams: There are films that he made, even if they weren't technically Amblin movies, that I loved. I loved "Poltergeist." Obviously, I was a huge fan of the films he directed. "Back to the Future" I loved. "Goonies" was a blast. Any number of movies that he made. The common thread in all of those, which is my favorite thing about them, is that it's relatable, ordinary people, sometimes in a classic suburbia, going through something terrifying or extraordinary or something sci-fi or supernatural. Even "Jaws" or "Close Encounters" had that.
MTV News: So in "Super 8," how far along will it be until we see the creature?
Abrams: I would say the film will obviously answer that question.
MTV News: So this isn't a "Star Trek" or a "Mission Impossible" — a pre-existing franchise. It's frankly being marketed on your name. Is there a push and pull in terms of how much to show in these last weeks before release?
Abrams: I feel like the fun of the movie is the experience of these characters and the most fun you can have as an audience is not going in feeling like you've seen more of the film than the characters have. My gut would be, as it always is, is that less is more. We have no intention of spoiling the fun prior to the film being released.
It's Summer Movie Preview Week, and MTV News will be bringing you exclusive interviews, clips and photos for the most anticipated films of the coming months. Get ready to gorge on inside looks at "Captain America," "The Hangover Part II," "X-Men: First Class," "Cowboys & Aliens" and more.
Check out everything we've got on "Super 8."
For breaking news, celebrity columns, humor and more — updated around the clock — visit MTVMoviesBlog.com.
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Charlie Sheen's one-man media circus has gotten him a lot of attention, but it won't get his job back. From the start of his epic tantrum, the actor has been saying that he wanted to return to Two and a Half Men. Now, The Hollywood Reporter reveals that series creator Chuck Lorre plans to continue the show -- without Charlie.
Insiders say that Sheen's costar Jon Cryer is in on Lorre's new plan for the show, which would involve a "significant role" for Cryer and "half man" Angus T. Jones, as well as "the introduction of a new, yet-to-be-cast character." Early speculation was that another actor -- perhaps John Stamos or Jeremy Piven -- might play Sheen's character of eight years, Charlie Harper (or at least a character serving a similar purpose). However, this new information makes it sound like both the real and fictional Charlie are gone for good.
So does that mean the title is going to change to One and a Half Men and a Special Guest Star, or whatever fits the new scenario? According to TVLine, the name will stay the same, even if the show goes in a totally new direction.
And while it sounds like Cryer may be getting more of the show's focus, it's still possible that Two and a Half Men will add a new cast member. All CBS will say is that the top rumored contenders -- Piven, Woody Harrelson and Bob Saget -- are not being considered. So everybody start guessing! Maybe we've all been thinking in the wrong direction. Could they be adding a woman to the cast? Or a baby? Perhaps a puppy?
CBS is expected to confirm or deny a ninth season of Two and a Half Men by May 19. Sheen, meanwhile, will continue his Violent Torpedo of Truth tour -- which remains, for the time being, the only job he's got.
Source: http://www.ivillage.com/charlie-sheen-free-two-and-half-men-works/1-a-344588
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'I was excited that they gave away so much,' MTV News' Terri Schwartz says.
By Kara Warner
Daniel Radcliffe and Ralph Fiennes in "Harry Potter and the Deathly Hallows, Part 2"
Photo: Warner Bros.
Christmas came early for "Harry Potter" fans when the "Deathly Hallows, Part 2" trailer debuted Wednesday night.
Since we're fellow fans, MTV News wants to know what people think! Therefore, we sought out a few experts to chat about what they loved about the "Hallows, Part 2" sneak peek. (Also, for those who haven't read J.K. Rowling's epic final "Potter" book, beware of spoilers below!)
"I was excited that they gave away so much in the trailer," MTV News' own Terri Schwartz said. "Or at least so many little tidbits that fans will really get excited over."
"[My] overall impressions: very cool," MuggleNet's Andrew Sims told us. "One of the things that fans were looking forward to was the final battle, and they got a lot of it in this trailer."
"There were some characters in there that I was surprised they showed," Schwartz added. "They show us Molly Weasley in action, which is really great. We also see the statues in Hogwarts come to life to defend the castle."
"I'm surprised that they included a shot of Remus and Tonks," the Leaky Cauldron's Melissa Anelli said. "Because from all reports, that might be the entirety of Remus and Tonks. I'm really surprised they showed Snape at Godrick's Hollow. Really surprised by that; it's a huge spoiler."
Julia Hodges, webmaster of DanRadcliffe.com and RupertGrint.net, said she was excited to see a few fire-breathing dragons onscreen. "I think that's an important part of the series, because you see all these mystical creatures throughout the books and movies, but you've never seen anything of that magnitude."
In addition to the moments lifted directly from Rowling's book to the screen, our panel of "Potter" enthusiasts mentioned a few seemingly new scenes that appeared in the trailer.
"I'm unsure about [the scene that shows] Harry and Voldemort sort of hugging and then falling off a cliff," Sims said. "It's not in the books, so people were concerned what's happening there, what's going on."
"Obviously, it's not the same as the book; it shouldn't be the same," Anelli countered. "There are key differences to [the movie] that I'm sure fans will be fighting about until the end of time."
What did you think of the trailer? Too spoilery or just the right amount of plot teases? Tell us in the comments!
Check out everything we've got on "Harry Potter and the Deathly Hallows, Part 2."
For young Hollywood news, fashion and "Twilight" updates around the clock, visit HollywoodCrush.MTV.com.
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'How many groups got documentaries — hip-hop — being done about themselves?' Phife Dawg asks.
By Rebecca Thomas, with additional reporting by Sway Calloway
The hardest part about being in a group is "constantly considering someone else — even before yourself," Q-Tip says in one scene from the documentary "Beats, Rhymes & Life: The Travels of a Tribe Called Quest."
In 1990, four friends from a Caribbean-flavored, middle-class hamlet in Queens, New York, became the focus of a bidding war that landed them a (then-whopping) $350,000 major-label deal. All in their late teens at the time, Q-Tip, Phife Dawg, Ali Shaheed Muhammad and Jarobi would go on to become one of the most groundbreaking groups in the history of hip-hop — and eventually one of the most divided.
That tragic division was apparent on Wednesday, when the 5-foot Assassin himself, Phife, made a solo visit to MTV News' "RapFix Live," hours before the Michael Rapaport-directed doc was set to screen at the Tribeca Film Festival. Just last month, Tip and Ali sat on the "RapFix Live" couch with host Sway (Jarobi connected by phone) and detailed their long-simmering issues with the filmmakers. Phife, who had traveled in January to Sundance in support of the doc, was notably absent. Dressed in a red leather jacket and matching sneakers, the animated MC explained why he was a no-show.
"The way I look at it, I want to benefit from the fruits of our labor while they're still ripe — sounds like a Lil Wayne line, right?" Phife laughed, with a nod to Weezy's "6 Foot 7 Foot." "We've been doing this for 20-some-odd years. I got gray hairs because of this rap stuff, not to mention the relationship that me and Tip have had in the past."
A veritable who's-who of hip-hop past and present sat in front of Rapaport's camera to help re-tell the story of ATCQ, from how they approached game-changing sophomore album Low End Theory to the making of the classic ensemble cut "Scenario" to the group's fateful decision to disband in 1998. (Archival footage of MTV's Kurt Loder breaking the news on air punctuates the latter scene.) Native Tongues members, Veteran DJ Red Alert, Angie Martinez, Large Professor, the Beastie Boys, Pete Rock, Prince Paul, Pharrell Williams and Common are just a few of the luminaries who turn up to testify.
"How many groups got documentaries — hip-hop — being done about themselves?" Phife asked rhetorically. "Run-DMC should definitely have a documentary. They're the reason why I wanted to [be a rapper]. Same goes for EPMD, Slick Rick. ... They came to Tribe Called Quest and asked us; we're supposed to count our blessings and embrace this joint right here."
Phife, who plans to release an EP and LP under the title Songs in the Key of Phife, said fans shouldn't hold their breath for new material from Tribe, either. The foursome hasn't been in a studio together in 13 years, according to P. While the documentary celebrates one of rap music's most significant catalogs with stirring scenes like the one of Tip poring over his vinyl collection as he recreates how an old Lonnie Smith record became the basis of ATCQ staple "Can I Kick It," some of the most startling scenes follow the rap icons on the road, beginning with 2008's Rock the Bells jaunt, where things begin to unravel backstage, particularly between lyrical wizards Phife and Tip.
"I think we'll get along more if we just dealt with each other on the normal more so than the actual business, because we definitely be at each other's throats," Phife told MTV News about Q-Tip. Asked if there was still tension between him and Tip, Phife responded emphatically, "Absolutely."
But "the film is dope," Phife said of "Beats, Rhymes & Life," which is set to open July 8 in New York and Los Angeles, and a slew of other cities, including Toronto, St. Louis and San Francisco, in the weeks thereafter.
And for fans holding out for the follow-up to the Love Movement, all hope isn't lost. "I don't know, man, I would like to see that," Phife admitted. "And my only reason for saying that is the fans have stuck by us. Got to give the people what they want."
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'Friday' has had 100 million views to date, with Black currently working on her second single, 'LOL.'
By Gil Kaufman
Rebecca Black in her video for "Friday"
Photo: Ark Music Factory
There was a minute there when Rebecca Black's "Friday" video was, almost literally, inescapable. Whether the success of the viral hit was being covered on such unlikely outlets as CNN or NPR, getting parodied on late-night television, or just bouncing around from Twitter accounts to e-mail in-boxes and music blogs, the tune by the previously unknown 13-year-old had the kind of white-hot media buzz usually reserved for a Lady Gaga or Justin Bieber.
Well, guess what? The little $2,000 pay-to-play ditty-that-could can now claim to have surpassed such major label juggernauts as Bieber and Gaga. According to a Reuters report, the no-budget clip for Black's song has been viewed more than 100 million times on YouTube since it was released on February 10, surpassing the totals for Gaga's "Born This Way" and Bieber's "Pray" videos, based on numbers provided by Visible Measures, a company that tracks the performance of Web videos.
Scratch that. If you count spoofs, other versions and home-brewed takes on the song, it's actually been seen more than 200 million times. Crunching the same numbers for "Born This Way," it has generated 180 million online views, while "Pray" has racked up 65 million.
It doesn't seem as though Gaga minds the competition from the Ark Music Factory product, as she reportedly referred to "Friday" as "genius" recently. Black told us she "freaked out" when she heard the compliment from Mother Monster. "I'm 13 and I never thought Lady Gaga would even know my name. I'm the kind of girl that dances to Lady Gaga with a hairbrush in her room at night," Black told MTV News in late March before she notched her YouTube record.
Black is reportedly at work on her second single, "LOL," though a release date for that song has not yet been announced.
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Aussie DJ duo tell MTV News they're ready to 'spread the Nervo love' on Femme Fatale tour.
By Jocelyn Vena
Nervo's Mim and Liv will be joining Britney Spears this summer for her highly anticipated Femme Fatale tour, alongside Nicki Minaj and Jessie and the Toy Boys.
When the Aussie twins spoke to MTV News on Tuesday, the same day the tour lineup was announced, they seemed genuinely surprised by the news, calling the slot "such an honor."
"We have worked with her team of people for songwriting camps and stuff like that, but we've never met Britney. It's been a dream to have one of our record productions on her album, but we didn't get there this time," Mim said.
All the acts on the tour are female, so Liv thinks "it's going to be ladies night every night. I imagine we'll be playing some of our club releases," she added of Nervo's set. "It'll be a DJ set and very electronic and house-based. We're really excited to be able to warm everyone up with some sexy house music."
The girls are also excited about the prospect of meeting Britney. "I wonder if I'll be starstruck? I just love her. I just love her records. She always releases great pop records. I really respect her," Mim said.
"You hear rumors that [the openers] never really get to meet [the main acts]," Liv said. "I hope we get to hang out. We've been told we're going to be on an RV for a lot of it. I love the whole experience of being on a tour bus. I love the road."
Since the tour seems to be all about girl power, the two sassy ladies explained what makes them such femme fatales. "I guess we have a no-fear attitude," Mim said. "We don't let our being girls stop us. Certainly DJing is a very male-dominated [field], and we haven't let us being girls stop us."
Bottom line: They're hoping through their house-music set they can "spread the Nervo love."
Are you excited to see Nervo on Britney Spears' tour? Let us know in the comments!
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Singer left behind more than $400 million in debt.
Michael Jackson
Photo: Time Life Pictures/DMI/Time Life Pictures/Getty Im
Between album sales, movie profits, licensing arrangements and lucrative deals for Cirque du Soleil shows, the estate of late King of Pop Michael Jackson has raked in more than $300 million since the singer's shocking death in June 2009.
According to TMZ, legal documents released on Thursday reveal that executors of MJ's estate have managed to make a major dent in the more than $400 million in debt that Jackson owed at the time of his death.
The first accounting from the executors shows that they have already spent around $159 million paying back various debts, income taxes and other expenses, which include providing support for the pop star's mother, Katherine Jackson, as well as his three young children.
"Although there remain unresolved creditor claims, pending litigation and additional challenging business, tax and legal issues, and the estate is not yet in a condition to be closed, the executors have made substantial progress in reducing the estate's debt," the documents state, according to a Reuters report. Two of Jackson's longtime confidants, attorney John Branca and music executive John McClain, were named as administrators in a will sign by the pop icon.
In addition to paying to make "substantial improvements" to the Jackson family's Havenhurst estate in Encino, California, the executors also spent an undetermined amount of money on "last illness and funeral and memorial service expenses." Those costs included a $900,000 payment to the Forest Lawn Memorial cemetery where Jackson is buried and $35,000 on expenses described as "costume for memorial."
TMZ reported that not only did the famously cash-strapped Jackson have more than $400 million in debt, but his estate also owed more than $40 million to concert promoter AEG tied to the scuttled This Is It Tour, for which MJ was rehearsing when he died unexpectedly. They've also paid $27.2 million in taxes and $4 million in mortgage payments on Jackson's properties.
Despite the solid sales of the Michael album and millions of units of the singer's back catalog being sold, as well as the box office of the "This Is It" movie and DVD sales, the estate is not nearly out of the woods. TMZ noted that the administrators have received more than 65 creditors' claims, some of which are subject to "extremely high" interest rates, and there are several outstanding lawsuits against the estate in several countries.
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American Idol might be a heck of a lot of fun to watch, but things aren't always as pleasant when you're the sitting in the judge's chair. In an interview with Matt Lauer on the Today show Tuesday morning, Grammy-nominated songwriter and former Idol judge Kara DioGuardi opened up about her new memoir, A Helluva High Note: Surviving Life, Love and American Idol (in stores now), and her experiences on the top-rated show.
In the book, DioGuardi describes her two-season stint on American Idol as "torture," elaborating to Lauer: "It took viewers awhile to understand why I was there. It was like I broke up the Beatles." Comparisons to Yoko Ono aside, DioGuardi says on Today, "(The producers) wanted the chemistry to be fresh, but it was difficult to come into something that was so established." Watch the interview below!
In the interview, Lauer repeats the speculations that DioGuardi was brought on the show to "keep Paula Abdul in line, so that she wouldn't go cray in contract negotiations" -- and DioGuardi demurs, saying: "I don't know that that was completely true. They wanted to mix it up." She adds the Idol experience -- which, in the book, she calls "mentally, physically and emotionally challenging" -- was ultimately a growing experience, and she hopes that sharing her story might "help others." In fact, DioGuardi says, "I have to say I have nothing but love for American Idol. I came through it. I'm stronger for it. I got to face some really big fears."
DioGuardi also reveals in the book that she was repeatedly molested by a teenage family friend when she was young, and her mother did nothing about it. DioGuardi tells Lauer, "It was a time when there were no Oprahs ... I think it was very hard for her to deal with."
The traumas continued in adulthood when she was date-raped by a "fairly well-known" producer. DioGuardi writes in the book, "The thing about date rape is you don't know it's happening until it's too late." Again, DioGuardi told no one, in the fears that she might hurt his career. Of her decision to include these traumatic experiences in the book, DioGuardi tells Today: "These are all things that affected my songs. Going through an experience like that is so difficult... a lot of those experiences ended up in kind of angry songs. For me, it was important to express why I got into these bad relationships. But... following my dream is what saved me."
As for why she doesn't name the producer who date-raped her, DioGuardi says: "It's not about that person. I don't want it to become about that person. I want it to become about all the other people who have been through this experience and tell them that you can get through it and you can be stronger for it."
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